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But the house owners didn’t acquire on the renovation and reimagining of their 2,418-sq.-foot abode on your own. Just one of Lacey’s very best pals, fellow storytelling commercial director and designer Claire Thomas, led the interior style project, with Rendell lending a hand on a personalized pastime, carpentry. “It is unbelievably stunning I fell so deeply in enjoy with the property from the preliminary listing images,” states Lacey. “What I did see further than the chocolate brown painted ceilings and stone tile bogs was a truly specific submit-and-beam architectural treehouse with ground-to-ceiling home windows that invite in the attractive, secured canyon sights.” Claire and Lacey manufactured it their position to return the home—originally developed by surfer-turned-architect Matt Kivlin—to its legitimate character.
After: “From a structure point of view, opening it up was a no-brainer,” says Lacey of the kitchen area, which now flows into the dining and living spaces, comprehensive with a fire that pays homage to the authentic with glazed brick-like Fireclay tile. “What’s special about the household are the sights, and every thing need to be celebrating people. Now we can be cooking and wanting out at the outdated sycamores and oaks, or catch deer coming down the hillside.” The family’s new kitchen functions a Concrete Collaborative waterfall terrazzo counter with white oak cupboards painted a custom made ochre shade by Reform.
The late ’50s, to Claire, evoke earthy California tones of marigold and avocado. And indeed a eco-friendly, brown, yellow, and orange palette was solidified early on when she won at auction a collection of vintage Swissair posters depicting various aerial landscapes in all those hues. “They related with that all round aesthetic we had been hoping to hit—really earthy California canyon, late ’50s, early ’60s references with entire world traveler energy,” claims Claire.
After: The eating area turns a vintage midcentury silhouette on its head many thanks to Folks Project’s vintage eating chairs, which are upholstered in Guatemalan huipils. Stripping the ceiling beams of their dim brown paint breathed new everyday living into the open-plan living place embraced by foliage.
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